Surprise book from the mail. Recently supported the crowdfunding project by Teyit and this was one of the gifts for the support. Arrival of new books always makes me happy.
Teyit is a great fact-checking organization from Turkey and their crowdfunding project was a special series of reporting on anti-vaxxers and other bullshit/conspiracy theories on health. In case you want to check out what else they’re doing, here’s their work in English. They also have an English Twitter account too.
After leaving the airport and jumping on the train to actually go London, I was looking for something to listen and remembered Burial albums saved on my phone. After that realization I haven’t listened anything else for the half of the week. Maybe it’s my overstatement but listening Burial on London made me appreciate his music on a different level. Like I said to Jay, I feel like the music makes a different sense now.
And now I’m wondering if there’s actually such thing. Music somehow connected with a special place and gives you a different experience when you listen there. Do any of you have a story like that? Or is it just my weirdness?
Bottom two, K-Punk and State Machines, are from the early November London trip. K-Punk is one of those books which you’ll read and re-read dozens of times over the years.
Rest came in yesterday. I was only planning to buy Teknopolis, because it seemed interesting but ended up ordering five books. I’m also excited to read Colson Whitehead‘s novels. I’m always a bit cautious about reading translation novels but the publisher is a trusted one.
I think a lot about traveling, being able to go somewhere else for any reason and the action itself. There are many reasons behind this.
I think the first one is related to how I grew up. Being almost exclusively in one city for 18 years, while being connected with rest of the world through other means probably put leaving that city and going as many places as possible on top of my priorities. Even so that when I was making plans for university, my main target was going İstanbul, not a specific university.
A lot changed since then. Now I’m traveling a lot and to many different places. Even writing this one in an airport, waiting for a flight. And honestly, sometimes I think about how I ended up in this place. Just some guy who saw lots of stuff on the internet while he was a teenager and decided to do something with that and ended up here. Although I’m not that famous and making tons of money from what I’m doing, it still feels too much for me.
Anyway, that’s one of the reasons why I decided to start a blogchain on traveling and what type of stuff I’m thinking about traveling and/or while I’m traveling. I wanted to write and talk about it, so that maybe I can manage to turn all of those half-baked ideas in my head into something else.
A collaborative project between Charley Peters, Wesley Goatley and Tobias Revell. Charismatic Megapigment is a sculptural installation that examines the politicised nature of the colour green and the tensions between formalist and conceptual art practice, as explored through the practices of painting and machine learning.
The screen moves across the painting randomly while feeding the image the camera on the back captures through a machine learning system that draws a closest neighbour match from a bank of 102,000 images related to ‘green’ found on Google.
Loved this work since I first saw it. There’s so much to unpack, especially every time the screen finds an example of a specific green. Never wrote much about art but works like that makes me want to.
Many ‘normal’ people suffer from not being hypersane: they have a restricted worldview, confused priorities, and are wracked by stress, anxiety and self-deception. As a result, they sometimes do dangerous things, and become fanatics or fascists or otherwise destructive (or not constructive) people. In contrast, hypersane people are calm, contained and constructive. It is not just that the ‘sane’ are irrational but that they lack scope and range, as though they’ve grown into the prisoners of their arbitrary lives, locked up in their own dark and narrow subjectivity. Unable to take leave of their selves, they hardly look around them, barely see beauty and possibility, rarely contemplate the bigger picture – and all, ultimately, for fear of losing their selves, of breaking down, of going mad, using one form of extreme subjectivity to defend against another, as life – mysterious, magical life – slips through their fingers.
This is an interesting term, “hypersanity“. Came across first time with this article and to be honest, it fills many holes about some of things I’ve been thinking about.
One thing that connected directly in my head with hypersanity is how people are always looking for normal, sane and ordinary. So they can feel safe. To do that, they even attack what is not normal and sane enough for them without thinking. But when you’re going through the mad times, normal and sane is the most useless thing. You have to be something more than sane. I think that’s where hypersanity can come into play.
This is going to be something I’ll dive deep into researching at some point. But I’m just putting a note here for now. Feel free to jump in and turn this into a conversation.
Tim Maughan’s Infinite Detail was published in March and since then it was sitting on my Kindle for reasons. Finally got my hand around it and finished the book today. And I have to say that this book is amazing.
The smile grows into a self-deprecating chuckle; and she’s strangely embarrassed that part of her had imagined walking out into some huge abandoned space: a bourgeois science-fictional fantasy of a long-lost civilization where she’s the special one, the only survivor that could see past the crass commercialism of the masses and got out in time, the intrepid, educated explorer unearthing this forgotten, archaic relic of barbaric capitalism, an empty cave filled with unfamiliar, alien branding.
The topic and how Tim handles it is just brilliant. Although Infinite Detail is a near future speculative fiction, you can easily see that all of it can happen next week. The politics of technology and the current situation of capitalism is analyzed in a mind opening way for anyone who isn’t already familiar with it and while the story shows you how messed up it is, it also shows you why just getting rid of it is not enough.
What’s different is that the massive inhuman artificial intelligence wasn’t enslaving us with nuclear bombs or turning us into batteries (how WOULD that work?) or crushing our feeble human skulls with its metal feet, but by finding the best ways to sell us stuff. SkyNet is real, and it wants to sell you shoes made by child slaves.
Tim’s storytelling is also strong. Going back between before and after, you can easily feel the change between those two timelines. The story pulls you inside its world and at some point, you can feel that those two timelines are about to merge and you get nervous and anxious just like the characters you’re reading. Although Tim has a unique way of telling his story, this feeling also reminded me Gibson’s The Peripheral, and I’m saying this as a huge compliment.
In short, in my opinion Infinite Detail is a must read book. Not just because it’s a great story but also this is the type of speculative/science fiction we need more today.
Until you can dismantle them, he tells himself, always use the oppressors’ tools against them.
Our initiative includes more than 250 outlets worldwide, and dozens of institutional and independent partners, with a combined audience of more than 1 billion people.
From September 15-23, our partners have committed to emphasizing climate stories. The goal is to maximize coverage of the climate crisis and its impacts in the lead up to the United Nations Climate Summit on September 23.
Many major outlets such as The Guardian, The Nation, BuzzFeedNews, Bloomberg and Gizmodo joined as a partner to this project. Which is quite important considering the issue. Seeing that journalists taking it seriously and using their tools and power to cover the climate crisis as powerful as possible to create a pressure over the UN Climate Summit is something we really needed.
We’re also part of it as NewsLabTurkey and our aim for this week to help Turkish journalists and media people to have a wider perspective on climate crisis and climate journalism and help them to reach new tools to cover this issue. This is the least we can do.
Helping this project and coverage put out during this week to reach as many people as possible is really important. We don’t have much time left to take some serious action and we should be in support of any attempt in that direction. So go visit the partner outlets, share their stories and use the hashtag #coveringclimatenow so more people will learn about it.
Recently decided working on to change and add more diverse stuff to my information diet. This also includes thinking about where I’m spending money on and make sure it goes to people and ideas will feed my brain more and actually needs and deserves support.
So I started with mono.kultur and these two arrived yesterday afternoon. From the moment I pulled those out from the envelope it was obvious to me that I made the right decision. Stuff like these makes it clear that people who made it creates things because they care about things or they have something to say and that thing you’re holding is important for them —whether it’s a book, album, zine or a mag.
That feeling is something I look up to and try to create while I’m working. I hope I can achieve that. And I really wish I had more money to support everything which gives me that feeling.